Does this poem have the power to leave the palace?
By Kamran Mir Hazar
Published on poetryinternationalblog.org (May 14th, 2010)
Kabul 2007; I remember when I was invited accidently to a literary meeting in Afghanistan’s presidential palace. A man working for the president cultural adviser phoned me to say that President Hamid Karzai had invited more than 200 poets and they would be happy for me to attend.
Poets would read their poems and the President would speak about the cultural situation, said the caller. As a journalist and a poet who usually criticized high-ranking officials I was curious. Karzai and literature? What an interesting combination!
It was summer, but I don’t remember the exact date. I accepted and I went to presidential palace. Before and after a heavily fortified check point, I saw many people who had come from different parts of Afghanistan, like me, calling themselves poets.
Hello, hello, hello, a long greeting, and then Karzai entered. The Afghanistan national TV station, RTA, covered the event live.
OK . . . everything was set up under the trees in the presidential palace grounds and two announcers, one speaking Pashto and another one Persian, launched the literary meeting.
The first poet was announced and the host said that after him, there would be a poet who represents for the new generation of literature. Ah, another surprise. He invited me to read some of my poems. The first man from Nangarhar read something long in Pashto.
I hadn’t come prepared to read poems, so I quickly wrote a few lines while the man from Nangarhar read his work.
I had the attention of all of Afghanistan now over live TV, and so I wanted to make a special statement to Hamid Karzai.
This event reminded me of what I had once read by Sultan (King) Mahmud when 11 centuries ago he invited poets to one of his gatherings. Also this event reminded me of the people around Mahmud who were lazy, who, even when they were hungry, couldn’t be bothered to pick up apples that had fallen from the trees.
Then I read out something like the following:
Is this poetry?
Is poetry only rhythm and rhyme?
Is poetry only beauty-spot and lip?
Is this a poem when it doesn’t have the power
To go outside the palace
And become a hand over a child’s head?
Then I said: it was 1983 when Raúl Alfonsín became president of a conflicted Argentina and in that year started national programs for justice.
Now, after several years of this guy’s presidency, he has gathered most of the criminals from the late king/dictator Muhammad Zahir and shares power with them.
This is not the guy Afghanistan needs. I said that, and then I left the palace.